By Megan Crider
For an elective course, I recently
had to write a research paper… My topic was about courtyards. I discussed some of their psychological
benefits and different design guidelines to maximize their use and advantages
to their users. There was a lot to talk
about, but there were a few quick design considerations that I found
interesting. Below is my discussion of
these topics, which I found in “A Pattern Language: Towns, Buildings,
Construction” by C. Alexander.
One of the
challenges when designing and planning a courtyard is to create one that is
alive – one that is engaging and provides use and value to its patrons. Alexander (1977) writes that “the courtyards
built in modern buildings are very often dead.
They are intended to be private open spaces for people to use – but they
end up unused, full of gravel and abstract sculptures.” Alexander gives three critical points to
combat the dead courtyard to make it alive.
The first is that there is too
little ambiguity between outdoors and indoors. The change from indoor to outdoor is too
abrupt – “there is no opportunity for a person to find himself half way between
the two.” Users need a transitional
space between the indoor area and the courtyard. Examples of this are porches, terraces, or
verandas. These spaces will allow users
to transition naturally into the courtyard.
The second point that Alexander reinforces is that there are not enough doors into the courtyard. He says that if the courtyard lies between
two activities within the house, and therefore has multiple doors, then users
can pass through it naturally. The
courtyard then “becomes a meeting point for different activities, provides
access to them, provides overflow from them, and provides the cross-circulation
between them.” Only providing one door
to a courtyard will likely insure that people will never pass through it or use
it during their daily activity. The
final statement is that courtyards are
too enclosed. There should always be
sight lines beyond the walls of the courtyard; it should “give at least a
glimpse of some other space beyond.” If
there are no openings or views to the outside the user may feel too enclosed,
therefore diminishing some of the benefits of the courtyard. This space should provide an escape for the
user, not evoke a sense of enclosure.
Reference:
Alexander,
C., Ishikawa, S., & Silverstein, M. (1977). A Pattern Language:
Towns, Buildings, Construction (562-564). New York, NY: Oxford
University Press.
The diagram below
illustrates Alexander’s principles of enlivening a courtyard
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