By: Faezeh Ensafi
Previous week in the Research methods class, Craig
asked me if I have experienced that a place or in the better word, an
architecture made me cry. The first place that came to my mind was “Naghsh-e-Jahan”
square, one of the most inspiring place that I have ever been in my life, in my
home, Iran-Isfahan.
Among the cities of Iran, Isfahan holds an extremely
distinguished place, originating in its emergence during the Sassanid period
before the birth of Islam. During the reign of Shah Abbas, the new square of
the city, a wide straight thoroughfare, the new quarters and the complicated
networks of bazaars are the four strongest points for evolution of Isfahan
The city's most splendid time began in 1598 when Shah
Abbas the Great (1587-1629) decided to make it his capital and rebuilt it into
one of the largest cities of the world. Previously, the old central square of
the city lay besides the old Friday Mosque dating back to at least 1200 years
and was believed to have been built on the site of Zoroastrian fire temple.
Gradually, royal urban planners under Shah Abbas created the new heart of the
city to the south of the old city center named Naghsh-e-Jahan square, an open
space between the older Seljukid city center and the river. The considerable
size of the square is about 1700 feet in length and 520 feet in width.
The orientation of Naqshe Jahan
square is 45 degrees different from "Qebleh"'s ( the orientation
which muslims must pray ) orientation . So the architect does an odd job : the two
" minarets " which are visible from the Naqshe Jahan are just to
introduce the entrance to the mosque , and to complete the symmetry with the
opposite side of the square. When you enter to the Mosque, without even feeling
it, the orientation changes to the Qebleh, so when you enter the main yard you
can't recognize that the interior walls of the yard are not parallel with the walls
of the Naqshe Jahan square. You see two other "Minaret" in the yard,
and you can't believe your eyes when you see you are not the same way as you
entered .
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