By: Casey Bucher
Recently I have done some research on
indigenous architecture, specifically in Australia since they have such a large
population of indigenous and aboriginal culture. Explained below is some information regarding
indigenous architecture, while also zoning in on a few indigenous architects.
Many researchers and practitioners
generally agree that Indigenous architectural projects are those which are
designed for Indigenous clients. The application of evidence-based research and
consultation has led to museums, courts, cultural centres, houses, prisons,
schools and a range of other institutional and residential buildings being
designed to meet the varying and differing needs and aspirations of Indigenous
users. Indigenous architecture of the 21st century has been enhanced by
university-trained Indigenous architects who have incorporated different
aspects of traditional Indigenous cultural references and symbolism, fused
architecture with ethnoarchitectural styles and pursued various approaches to
the questions of identity and architecture. Out of the 11,000 architects in
Australia, Only 12 indigenous architects in Australia. According to the latest
ABS statistics, indigenous people make up 2.5% of the general population. By
these figures, proportionally the number of indigenous architects should be
more like 275.
The first indigenous architect is Glenn
Murcutt. Murcutt’s motto, 'touch the earth lightly', convinces him to design
his works to fit into the Australian landscape features. His works are highly
economical and multi-functional. Murcutt also pays attention to the environment
such as wind direction, water movement, temperature and light surrounding his
sites before he designs the building itself. Much of his projects are
residential homes, very straightforward in design and shape.
Another architect who’s focus is on the
aboriginal culture and needs is Gregory Burgess. One of his most noteworthy buildings is the
Brambuk Living Cultural Centre. It was designed in collaboration with the local
Aboriginal community, utilizes an undulating roofline to reflect the
surrounding landscape while simultaneously mimicking the shape of a cockatoo,
which is the totemic symbol for two indigenous cultures, the Djab wurrung’s and Jardwadjali. His works are often
organic shapes and his participatory design (co-design) approach has produced
some remarkable and unique buildings. His work has been exhibited at major
galleries in London, Amsterdam, Tokyo, Edinburgh and all Australian cities.
A third architect, Dillon Kombumerri was
born and raised in an indigenous community, Yugemir. Dillon is the Principle
Architect for Indigenous Design in the NSW Government Architects Office. The
Indigenous Design Unit is unique in Australia. Its Indigenous architects bring
an understanding of indigenous culture and values to the process and work
closely with Indigenous groups to ensure that building design and technology is
appropriate and sustainable and represents community values.
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