By Michelle Harris
Clouds are transient in nature. The first cloud I saw
created artificially indoors inspired me to think of the possibilities of a
cloud as a building material (Nimbus II, 2012, by Berndnaut Smilde). My first
thought was that it would be an interesting as a façade. As I considered the
uses of this new building material I imagined even as far as using clouds on a
wristwatch to tell time. The world of cloudlike possibilities became a reality
when a classmate introduced me to a project, the Blur, completed for the
Association Expo in 2001, in Western Switzerland by Diller & Scofidio.
The Blur was an ephemeral exhibit for the expo. The Blur was
a central viewing platform and restaurant constructed from a series of steel
piers and walkways floating above the lake. The façade wrapping the steel was a
manufactured cloud. The building was shrouded in a wafting fog. What initially
began as a fascination with the concept of clouds for me ends with the
mechanical process of the cloud’s creation.
The transient nature of the cloud façade required a
technical analysis of how clouds are created. Japanese weather designer, Fujiko
Nakaya,was the leading expert in large scale pavilion structure productions.
His expertise was not fully utilized due to the Association Expo wanting to
have a European representative. This prompted Diller and Scofidio to begin a
series of tests pioneering ‘cloud or fog’ creation. A series of nozzels were
tested for water droplet sizes and the form of the orientation of the nozzle
heads. What they concluded with was an elliptical matrix of mechanical
components and a building that was a very wet experience.
Similarly, Nimbus II
by Berndnaut Smilde forms on the principles of relative humidity and a misting
of the particles. Very few people have experienced his art pieces in person.
They’re represented in photography and media. However the use of clouds as a
construction material you can experience comfortably is untamed.
With the manufacture of clouds as a possibility, the mystery
of clouds in nature becomes more apparent. The flow of air and electrical
currents that charge the atmosphere are predicted but the deeper meaning of why
is unknown. The construction of a building with a cloud as a façade may
possibly open the door to understanding a micro version of the why through the
how.
Bibliography:
Blur: the making of nothing, Diller & Scofidio. Harry N.
Abrams, Inc. Publishers: 2002.
How to make clouds indoors: Berndnaut Smilde <http://yatzer.com/nimbus-berndnaut-smilde>
July 18, 2013.
How Do Spiders Fly for Miles? Mystery Solved. <http://newswatch.nationalgeographic.com/2013/09/27/how-do-spiders-fly-for-miles-mystery-solved/>
September 27, 2013.
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