–
Timothy Shotts
I commonly document my models with photos – we all
should. Document Everything! Models are fragile and you might not get a
chance to borrow your friend’s SLR camera and take some quality shots before
something tragic happens. I feel
comfortable changing the focal length to blur the background, and I can frame a
photo with the worst of them, but that’s where my photography skills end. Did you know that Peter Smith may offer
Architectural Photography class in the
spring? I would love to see the gallery
and hallways filled with photos from that class!
Until that class is offered…
A quick online search turned up a couple photography
sites with tips for successful architecture photography. http://digital-photography-school.com/architectural-photography
and http://www.fotoblur.com/blog/1/architecture-photography-tips
. Unsurprisingly, I also found this http://photographyandarchitecture.com/,
and on their Who, What, Why page:
“Architects live and die by the images that are taken of their
work”. We are photography industry
professionals with a love for architecture. Great architects need great
photographers and our goal is to help them find each other. (http://photographyandarchitecture.com/who-what-why/
). You want to be a great architect,
right? Of course you do! I’ve found that the folks in photography
department are more than willing to help photograph your models.
From http://digital-photography-school.com/architectural-photography, here are their 9 tips summarized.
1.
Be conscious of lighting, contrast, shadows,
textures, and reflections. Also, bracket
shots at different exposure values and use a photo editing program to merge
them.
2.
Get
a fish-eye or wide-angle lens to capture the building in its environment.
3.
Don’t
forget the inside. If natural light
levels are low, use a long exposure.
4.
Take
dusk and night-time photos too.
5.
The
photo can be great even if the weather’s not.
6.
Reflections
add an extra dimension to architecture photos.
Seen the Bean?
7.
Research
the architecture and find an important detail to photograph.
8.
A
large f-stop will retain detail near and far.
A small f-stop will reduce the sharpness of either the foreground or
background.
9.
Images
should be dynamic as well as aesthetic and graphic. Look for hierarchy, symmetry, composition,
and combine curves and straight lines.
Below is a photo I took at the Du Quoin State Fair during the summer of 2013. Holly was awarded the blue ribbon in Architecture Photography. Notice the contrast between the shadows in the arch and the skyscraper that is nearly washed-out in light, the capture of detail on the arch, a small f-stop to retain detail, and curved lines mixed with straight.
Photo by Holly Glosser
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