The Narrative
By: Van Dwinnells
How things come together is at the heart of architecture; the
interactions of specific elements and the creation of zones with all their
varying amounts of light and volume.
These connections are what offer unique experiences. Whether
they are from one zone to the next direct or only visible, the intrigue, the
understanding that there is something more drives us to search it out. It seems that in order to create an
interactive space there needs to be a complete understanding of this separation
and it is the obligation of us architect to at least reference this through
visual cues like permeation or transparencies, at least in some manner. It is our duty to narrate spaces. In memories, the permanence or sticky factor
of a space and how we use it is determined by how we remember it and what
occurred there. These memories are
created more easily and reflected upon through a narration. It sometimes can be simpler to explain a
series of circumstances, i.e. a story, to better emphasize a situation than
only giving specific details. In my mind
this is very similar to a descriptive piece of literature. A noun is better accented by the adjectives
and sentence structure, giving new life and meaning to a generic
depiction. In a way, our architecture
can represent the adverbial structure that dictate why and how we do things
surrounding this noun. Therefore, our
construct is that of a descriptive yet kinetic nature based on the subject of
the narrative. I reference this idea,
because I have been thinking about how we view our lives. Maybe we see it as a timeline. Some of us see our lives as a film. Personally, I see my life as chapters that
enable me to scan them in order to go back and replay these individual
narratives as desired. It is my belief
that paying close attention to the narrative and working out a series of events
within the context of our design problems we will inevitably create a more
interactive and experiential environments; one's that will be more memorable.
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